2: What is the Apocalyptic aspect to Escapism? Where can we find, ironically, a non-escapist aspect to it?
An online learning space for "Culture Making in the Empire," a 2013 interim course at Calvin College taught by Rob and Kirstin Vander Giessen-Reitsma. Content from previous versions of the course are also archived here.
20 January 2012
Escape to Web-Print
2: What is the Apocalyptic aspect to Escapism? Where can we find, ironically, a non-escapist aspect to it?
Dancing With Dinner
Paper Heart
The premise of this film is that Charlene Yi is traveling around the country to either prove or disprove the existence of romantic love, as she does not believe in it. In so doing, she meets Micheal Cera and the two begin to develop a relationship. The film is lighthearted and fun the whole way through.
This artifact comments on everyday occurrences within the context of relationships--from the first meeting, to the development of friendship. In this case, the relationship is presented in a realistic, down to earth way. This film emphasizes the importance of community and friendship, as well as imagination. When taking a further look into this film, I am left wondering why the word 'love' is only used (with one exception) in the generic and romantic sense. The fact that believing in love, or not, depended on researching and interviews the romantic love shared between two people, and not another ultimate example of love did not leave much room for faith. The one time a different 'type' of love is explored is in one scene that takes place in a biker bar, where the bikers discuss the role of love in friendship. Overall, it was a look at the developing romantic relationship between (as fictional versions of themselves) Micheal and Charlene as well as young and old couples 'interviewed' throughout.
One way that this romantic comedy broke the cookie-cutter mold of the genre is that there is no personal catastrophe. No one is a damsel in need of being 'saved' by love, and no one had to give up something for the sake of monogamy. Rather, it is a story of two equals spending time together and (slowly) learning to love each other. While I do believe that expressing love without an example of ultimate love through Christ is, ultimately, missing the point, this is a more honest look at human interaction than has been presented in past films of its type.
1. Why does our society idolize dysfunctional relationships in films?
2. Why do people treat each other differently when they know they are being watched? Is this a positive thing?
Paper Heart directed by Nicholas Jasenovec (Lakeshore, 2009), DVD
Teen Vogue/Artifact 2
The stories that Teen Vogue tells about human purpose is that even though we are made in God's image, there are products that make you look more beautiful. In the magazine, there are millions of ads that catch our eye, including name brands and beautiful models. It's hard to go through a magazine like this and not get caught up in the fashion or make up that's in it. Even though this magazine may seem like another way to sell advertisements, they do include serious issues as well, in the issue I read it had an article on smoking and what it can do to your body. However, it was only a couple pages long, while the rest of the magazine still covered make up and fashion.
Teen Vogue reveals about life in the empire is that there are things in the world that we tend to get pulled into and believe that we must have a certain product to make us feel good about ourselves. The magazine shows pictures of different models, and then has several pages with similar clothes that they are wearing, and how much it would cost to buy them. It seems that every day there is some new trend going on, or a new line of clothing or make up has just come out, and we have that urge to immediately go out and buy it because we know everyone else will already have it. It's difficult to fit into society, or the empire, without having the latest thing that's out there because then you feel left out and not on the same page as everyone else.
I personally don't wear make up at all, and the most I'll wear is just a touch of mascara. For me, make up just isn't a big deal. I don't see why I need to change myself when I'm perfectly happy with the way I look.
Discussion Questions:
1. Why do we feel the need to fit in with the rest of the world?
2. Do we ever ask ourselves "Do I really and truly need that?" before we buy something? Or do we automatically buy it because it's what everyone else has?
Joel Salatin- Dancing with Dinner
The Royal Tenenbaums
cultural artifact 2
While watching TV for this artifact, I realized that society is focused around TV shows and advertisement. I caught myself eating a lot while I was watching TV, popcorn and Reese’s Peanut Butter cups are a favorite. Then I started to realize how so many of the commercials are about food, and generally it is about fast food and other “junk” food. These commercials state their opinion on how this food is the next best thing, even if it isn’t. They want to trap you in the business of junk food because once you are hooked, it is hard to break a habit. It seems that everywhere you go, the movie theater, driving down the road, malls, sporting events, all advertise some kind of food. Take the Super bowl for example. Companies spend millions of dollars on the commercial space of this most watched game. Many commercials portray the happiness and fun by the consumption of these unhealthy foods with friends, most advertisements are about beer. Well, beer is made up of carbohydrates. So what do you think will happen to your body by consuming many beers? What we don’t realize is that they have the “attractive” person doing the advertising, who is skinny and toned, when in reality, if you eat what they advertise, you won’t be like that. You will probably become unhealthy and obese. Many show the positive side of food verses the negative, not only consequences, but also the origins. If people were to even watch a half hour of Food Inc. their stomachs would turn and they would probably get sick from knowing what actually goes into their food. Most of the fast food restaurants would probably go out of business with the consumer knowledge of the quality of the food. Big companies disregard this fact because the advertisements sell. If people appear to be having fun, and the food looks good, people are willing to follow the commercials lead.
1. With the knowledge of Food Inc., are you more worried about the origin of your food?
2. How often do you watch TV? How many of those commercials that you see do you disregard?
Do It Alone
If you know Kid Cudi, he calls himself things like "Moon Man" or "Man on the Moon", which has a double meaning. It refers to him being high most of the time (high as the sky, or in his case up to the moon), and how he views himself as an alien. No one understands him. The song "Do It Alone" really embraces this. It starts out with some high pitched outer space-like sounds. Then the music comes in slowly and you can tell pretty quickly that it is a sad song. His lyrics tell the story of him being afraid to go into the real world because he fears he won't be accepted - that no one will understand. He says "Man, I'm so comfortable here. Why should I head to a place where people live in fear?" and "But see, I'll never get why the earth is a puzzle that I'll never fit. I'm not of their world. So why should I leave my sanctuary? The whole thought of that is scary. How do I know that their kind will truly hear me out? Will they understand I'm flying from a different route?"
Although Kid Cudi does not affiliate himself with any religion, we can see by these lyrics that he is scared of being different from the real world, much like many of us are afraid of being different from the Empire. I think many of us, especially those of us that grew up in a very Christian town or went to a private Christian school, are scared to go outside of our bubble and take on the Empire. Kid Cudi describes his frustration by saying the earth is a puzzle and he'll never fit because he's not of their world. He doesn't want to leave his sanctuary - where he is comfortable. But I think to find a real glimpse of the Kingdom, we need to fight against the Empire. I have wanted to run away from these problems that cause so much anxiety in me, but I know to become stronger in my faith, I need to fight. And I believe God will give me glimpses of the Kingdom when I do this. Luckily, unlike Cudi, I don't feel like I have to do this alone. We have brothers and sisters in Christ to walk with.
Questions:
When have you felt that you are alone in this world and no one understands? Was it faith related?
Have you ever tried to run away when you feel like you're alone in this world? What has the outcome been of running?
Supernatural
The second cultural artifact I have decided to choose is the show Supernatural. Supernatural first aired september 13, 2005. The Story is about two brothers named Sam and Dean Winchester. The episodes are about these two brothers as they hunt demons and other monsters that are of the supernatural, hence the title. This show portrays evil in hell is not locked by heaven anymore. Demons and monsters are on our world. The human purpose as we know is to live in Christ’s image, but on this show the human purpose is to be destroyed by the demons. Evil is always around the Winchester boys. I think that they are not being influenced by the empire, because the empire wants the perfect American life. You go to school, get a job, get married, have kids. But This life can never be for the Winchester boys. They know what is actually out there. and their destiny is to fight of the evil. Dean has always struggled with religion he does not believe in god, and if he did he calls him a “big kid with a magnifying glass, and i’m the ant.” But in the later seasons dean is a mess he keeps reliving all of his horror that he has done in his past, what he has seen, he prays to God for redemption to cleanse him, to ask for help. In the later of the episodes they interact with angels and these angels are angry with the Winchester boys, because they stopped the apocalypse from happening when it was supposed to. The angels also say that God has gone away. they do not see him anymore, almost as if he had given up. But i believe something extraordinary is going to happen. I sometimes feel that a lot of us feel that way. When we are in need and something that we ask for does not happen, or when we are in despair, we feel like god has gone away and doesn't care about us. but we know as Christ followers that is simply not true. God is always with us. This show does a good jib of showing the evil the good and the redeemed in our world today.
1.Do we sometimes feel that God has left.
2. How can we fight the evil in our own life's.
Dinner Dance Partner
Joel Salatin has committed his life to a "land healing ministry." He claims, "I am a caretaker of creation; I don't own it." He believes it is his responsibility to step into creation as land stewards and redemptive embassadors and embrace it as a dance partner. We need to appreciate our invisible dependent creation. This statement is so applicable to many aspects our lives. This includes the invisible microorganisms in soil, the invisible trillions of cells in our bodies, to the invisible God that created the universe. We don't realize the tremendous power and creativity of our Maker until we study what he has created. We are called to take care of this earth and enjoy it in its natural original beauty. This is what God called us to do, he cares about His creation. In the words of Joel Salatin, "God is interested in the pigness of the pig."
Studying this cultural artifact has sparked an interest in this topic of caring for creation. There are many practical ways, that we as Christians, can participate in a system that does good and allows us to participate in the Kingdom.
Discussion Questions:
- In what ways does the distorted view of creation and animals extend to our view of other humans?
- Where else in creation do we witness the amazing design of our Creator?
- What are ways we can be stewards for God's Kingdom?
Tim Tebow
Tim Tebow is no stranger. Over the past year, Americans have become very familiar with his face, his style, his stats, and also, his faith. Some fans are refreshed by the character that Tebow brings to the NFL – namely, his outspoken and unforgiving belief system otherwise unfamiliar to the game. Still, others exemplify great disdain for this Evangelical, questioning the legitimacy of his faith and ridiculing his over-the-top antics. So what's apocalyptic about Tim Tebow?
For one, there's no questioning his ability to play football. Many sports fans will disagree with me, arguing that ultimately quarterback (insert name here) is better than Tebow. I don't wish to argue that and seeing as I don't know much about the NFL you're probably right. Nonetheless, Tebow is a professional at what he does, a title that cannot be stripped from his talent insofar as he continues to play. The point is, this quarterback can and is pushing his body to its limit. Throwing a ball 80 yards into the hands of another player involves a technical set of skills. As we admire Tebow's ability to QB we are offered a very unusual and unique glimpse of God's image. In addition, Tebow is very involved with the Make-A-Wish Foundation, spending entire days with mentally disabled fans and their families. Argue all you want, but the fact is that this celebrity hasn't completely checked out, yet. Tim Tebow is an apocalyptic figure in more ways than one.
However, that's not the end of the story. Ironically Tebow's very public attempts at spirituality are what make me less convinced of his sincerity. In fact, after all we have learned in this class, that Tebow has to nerve to thank God for defeating another team in the middle of a stadium and a career literally fueled by the empire (consumerism) seems a bit hypocritical. The Jesus of the NFL is a Jesus who doesn't care about the poor. The Jesus of the NFL is a savior of "our sponsor." The Jesus of the NFL is more concerned about signing $11 million contracts than helping the homeless man outside the stadium. If Tebow wanted to send a Kingdom message he could start by being a voice or reason during lockout season (an exceptionally terrific example of consumerism and greed). With the type of power he has, Tebow could be an incredibly influential voice and Christian example in calling the Empire into question, particularly in his job-field. I guess all we can do is keep waiting for that to happen.
Thus, with a grain of salt and a measure of grace, I have to conclude that Tim Tebow may not be as good a role model as society has dressed him up to be. While I applaud his volunteerism and commitment to the Gospel(s), it seems like he is stuck in a pickle between the Christ of the poor and the Lord of the market. In an attempt to squeeze in both he has diluted one and the expense of the other. Nevertheless, it will be interesting to watch how he continues to integrate his faith throughout the rest of his career.
Discussion Questions
1. Do you think the act of "Tebowing" (bowing your head and taking a knee in prayer) is appropriate in end zones? What does such an intentionally public act reveal about Tebow's motives (for better or worse)?
2. Do you think cultural icons of faith should announce their religion publicly? Do we need to label Tebow "Christian" in order to appreciate the good that he does?
Beyonce's "Run the World"
Nintendo Power
Yesterday afternoon my parents mailed me my copy of the latest issue of Nintendo Power, which is a magazine dedicated to bringing the latest news on everything Nintendo, the largest video game company in the world. I've been reading NP for 12 years now, and it's substantially different now than it was then. When I first read this magazine, it had many different creative and interesting sections. There were previews, guides, hints, activity sections, contests, an advice column (for gamers), letters to the editors, polls, and more. The pages themselves often had artsy backgrounds and trivia bits on the side, and each issue had a bonus such as a poster, a demo DVD, or a soundtrack. There were around ten pages of advertisements in each issue, and eight or nine of them were video game-related. The magazine was fun and wonderful, and when I was younger, I looked forward to reading every issue I got. A decade ago, the editors loved their job, worked hard at it, and cared about their readers.
Saying that the editors are now uncaring and greedy may be going too far; however, the magazine has undoubtedly declined in quality in favor of saving time, reducing work, and especially cutting costs in its production. The guides, hints, advice column, activities, and contests are all gone, the other sections are stripped down, and the artsy touches such as the page backgrounds and trivia are replaced by solid colors and empty margins. Posters only come once every 3 or 4 issues, and any other bonus is virtually nonexistent. The worst of it is the previews, which have essentially become extended advertisements for upcoming games. They made up around 15% of the magazine when I started reading it; they now comprise roughly 75% of it. Even though I don't play games as much now, I presently find myself wanting to buy Nintendo's products more often than I did as a child. Though I'd like to believe it's because the games are better, I know it's because the previews are trying to make every game look as appealing as possible with fancy descriptions and shiny screenshots.
Nintendo Power is still a good magazine, but it's become so cheaply produced and so infused with advertisements that it's easy to see that making and saving money is a much larger part of the editors' tasks than it was a decade ago. This is likely true for all magazine editors, but it's still not a pleasant thought. What happens when magazine editors (such as those at NP) need a pay raise again? How many more corners can be cut in a magazine's production? Is there anything readers can do to fight these changes?
The Graduate
Adele
Four years ago I got onto iTunes just to browse at their growing selection. Being Dutch, I inevitably found myself on the “free download” page. The song that was up for this weeks discovery download was the song “Hometown Glory” by an unfamiliar British girl of 19 years old, Adele. I listened through the song once and immediately found the tune captivating and her mature voice ringing through my ears. Over the years, Adele has found her spot at the top of numerous music charts and become a pop culture icon with her soulful melodies; it’s almost hard to believe that this woman is only 23 years old.
Adele shows a great deal of contrast in the wild world of music now a day. With synthesizers and heavy dance beats, Adele really breaks through with her emphasis on simplicity. Not only does she show that she’s got the talent for what she is doing, but also she has an incredibly positive outlook on herself. Adele doesn’t fit the so-called “norm” of what society expects for this industry. “I like having my hair and face done, but I'm not going to lose weight because someone tells me to. i make music to be a musician not to be on the cover of Playboy." I think that in the obsessive world of Hollywood and in the music industry we can lose sight of where the real talent is because the face that comes with the performer hinders our views. It’s very clear to see that Adele truly cares about herself and the amazing talent that she has been given. After watching and discussing the film America the Beautiful and talking about the issues with appearance in class, I can really understand how having a very successful, and beautifully proportioned woman representing some of the best that pop culture has to offer can make a huge difference in the world’s views on what is truly beautiful.
Questions:
1. What has caused the music industry to change to dramatically over the years to focusing primarily on the visual and the presentation of the performer?
2. Where can we see brokenness and evidence of the empire in music and artists of today when every person has their own opinion and different taste? Is this "broken" or just something that we are not used to?